![](http://ataleofatub.com/media/pages/exhibitions/the-ground-up-and-the-washed-down/d1cc121c6c-1714741317/junghunkim_1_fabianlandewee-980x.jpg)
Junghun Kim, The space between the objects are trajectories
of your imagination, 2020– Ongoing and A one time breathing is a world, 2022, Photo: LNDWstudio.
The Ground Up And The Washed Down
July 8 – August 28, 2023
HIEKE PARS
RAFFIA LI
JUNGHUN KIM
GAYATRI KODIKAL
GABI DAO
FILEONA DKHAR
DAGMAR BOSMA
curated by YIN YIN WONG
It started with the body. The body—sore and bruised from working on the docks from dawn to dusk—was washed and restored here.
Over the past hundred years, the bath house has been transformed into a monument containing an art space. It is here, now, that we understand the body to be a proxy of the celestial body that is our planet. Hidden in plain sight, the slow, all-consuming grind that establishes our comfort continues steadily.
In The Ground Up And The Washed Down we, the heirs of the grind, draw from its extracted residue. What can we learn from what’s left behind? What do we see when we lift the ground up? What do we feel when we sense with our entire body? How has time washed us down and how do we make space for restoration once more?
Biographies
YIN YIN WONG is a multidisciplinary artist and researcher dealing with the ramifications of Western Modernity, with in particular its effect on the lives and cultures of those who fall outside of its narrow paradigm. Through their practice they speak to dominant frameworks that extract labour from the working class (immigrant) body while simultaneously depleting the world of its natural resources. Yin Yin was an artist in residence at Jan van Eyck Academy (‘20 – ‘21). Recently their research surrounding the Dutch-Asian diaspora was presented at Natasha, Singapore Biennale ‘22 and their film ‘Lotus Flowers’ screened at the Venice Biennale ‘22. Later this year they will exhibit new work at Framer Framed, Amsterdam; CHAxART, Rotterdam and Wei-Ling Contemporary, Kuala Lumpur.
Support
The Ground Up And The Washed Down and A Tale of A Tub’s Open Call for Exhibition Proposals are conceived in close collaboration with CBK Rotterdam. The exhibition is additionally supported by the Municipality of Rotterdam and the Mondriaan Fonds.
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Junghun Kim, The space between the objects are trajectories
of your imagination, 2020– Ongoing and A one time breathing is a world, 2022, Photo: LNDWstudio.
![](http://ataleofatub.com/media/pages/exhibitions/the-ground-up-and-the-washed-down/98d1cb19da-1714741335/gabidao_2_fabianlandewee-500x.jpg)
Gabi Dao with John Brennan and Elisa Ferrari, Last Lost Time, 2021, Photo: LNDWstudio
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Junghun Kim, The space between the objects are trajectories of your imagination, 2020–ongoing. Photo: LNDWstudio.
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Hieke Pars, Ground-Works, The Balustrade, 2023, Photo: LNDWstudio.
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Hieke Pars, Ground-Works, 2023, Photo: LNDWstudio.
![](http://ataleofatub.com/media/pages/exhibitions/the-ground-up-and-the-washed-down/823eb741e8-1714741339/gayatrikodikal_1_fabianlandewee-500x.jpg)
Gayatri Kodikal, Ultrasonic Tigress, 2020, Photo: LNDWstudio.
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Gabi Dao, Tear Possibility 2, 2021, Photo: LNDWstudio.
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Dagmar Bosma, SCRAP METAL DREAMBOAT, 2023, Photo: LNDWstudio.
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Fileona Endoxa Dkhar, Ancestral Echoes, 2022 and Dagmar Bosma, SCRAP METAL DREAMBOAT, 2023, Photo: LNDWstudio.
![](http://ataleofatub.com/media/pages/exhibitions/the-ground-up-and-the-washed-down/0e62229328-1714741353/dagmarbosma_3_fabianlandewee-500x.jpg)
Dagmar Bosma, SCRAP METAL DREAMBOAT, 2023, Photo: LNDWstudio.
![](http://ataleofatub.com/media/pages/exhibitions/the-ground-up-and-the-washed-down/de2960c735-1714741330/fileonadkhar_1_fabianlandewee-500x.jpg)
Fileona Endoxa Dkhar, Ancestral Echoes, 2022, Photo: LNDWstudio.